July 2014 - experimental installations

Suspended polyesters, organza silk, and silk fabrics with ladies leather shoes.

'Unpicking my practice continues, as my work is stretched, and the challenges advance at Chelsea.' AR   Watch this space... undoubtedly, more to follow!

Collaborationem - works in situ.

Positive reactions, useful feedback
"I was particularly impressed by two of the installations...
I was very taken with the image of “the messenger” juxtaposed by a personal reflection in the mirror.
...to see oneself as the messenger was a powerful expression of “self,”...
The fish said that I was “passionate” which I hope is true...".   

The Messenger & You 2014  60cm x 50cm x 2  
Acrylic mirror, oil on linen, fortune telling fish, candles, votive candle stands.

Collaborationem - further details

http://kelise72.com/2014/06/19/at-southwestfest-collaborationem-st-saviours-pimlico/

Collaborationem - Thurs 3rd - Sun 6th July

Chelsea College of Art, Fine Art postgraduates assemble for the South West Festival

Studio variations - April/ May 2014 update

Female faces 04, Francesca - variations

Acrylic and oil on crinoline & oil on linen, 2 x 40 x 30cm

Oil on linen & oil on polyester (sail cloth), 2 x 40 x 30cm

Confess your taste

Confess your taste -

Taste After Bourdieu, Chelsea Research Conference

15 - 16 May 2014  
Chelsea College of Arts, Banqueting Suite, 45 Millbank, London, SW1P 4RL

A collaborative group of Chelsea’s Fine Art and Textile Design postgraduates have come together to present their own observations and questions of taste after Bourdieu.

The reading group for 'Taste After Bourdieu' was inspired by Owen Jones' analysis of Chavs and the demonisation of the working classes alongside Jukka Gronow's examination of taste and fashion through the lenses of Immanuel Kant and Georg Kimmel.

Through a visual, tactile and interactive confession booth, the group seeks to provoke the subtle and sometimes obvious denials, ironies and conflicts of 
private versus public tastes.

To what extent is the individual able to nurture and foster taste according to their unique palette, without conforming to socially approved standards of taste?

Does human desire for acceptance and validation force the individual to play the role of fearful subject observing the emperor’s new clothes?

When translated into the worlds of fine art and design, to what extent is the majority of current output inspired by commercially profitable taste versus what might be the artist’s or designer’s contrasting aesthetic and creative truth?

We invite you to confess your taste.

For more info about the conference, Taste After Bourdieu, please click here

The Camden Group 2014

Female faces 02 2014 - Camden Group show

The end of January, witnessed a one-night, exhibition of works from a collective of Chelsea MA Fine Art students, housed in a undisclosed, London location - it was an opportunity to see fellow students endeavours, in an alternative context.

The first, of a series of paintings, working with female faces was viewed at this event, more to follow...

Female faces 02 Spider 2014