Monday, 14 March 2016

First exhibition at Maxilla Studios - PV Thursday 17th March 6-8.30pm


''MAXILLA" signals the formation of the newly established Maxilla Studios, composed of artists and practitioners from a wide variety of backgrounds, approaches, and methodologies. 

Consisting of cyclically-processed paintings, speculative sculpture, documentary photography, and community-based projects, MAXILLA presents an enticing insight into the practices of it's members, featuring:

Paul Abbot
Chris Bagnall
Gerard Carson
Rob Drugan
Jim Fenwick
Lucie Follett
Oliver Gingrich
Jo Holland
David Icko Kovacs
Rachael Nee
Georgie
James Pimperton
Jo Poulton
Andrew Rickett
Alex Roberts
Ana Carolina Rodrigues
Karen Tronel
Kira Zhigalina

Nearest tube: Latimer Road

For further info please click here
Supported by ACAVA

Monday, 15 February 2016

Connect 2016 - UK partner's, first visit to Katowice, Poland.

Feb 18-19: The creative exchange and art festival/exhibition is underway.
UK artist presentations, funding research and early stage, project meetings.


Rondo Sztuki, Katowice, Poland. Image courtesy w-a.pl














The central meeting point, the Rondo Sztuki (Roundabout Gallery) in the heart of Katowice, Poland.  For further updates please visit the collective’s website

Connect – February (project begins), November 2016 (Phase 1 intro show), June 2017 (Phase 2 public art festival).
British artists: Paul Abbott, Marilyn Collins, Sarah Faulkner, Kelise Franclemont, Joseph Lichy, Regan O’Callaghan, Shadi Mahsa, Alex Roberts, Jonathan Slaughter, Laura Solomons, Louise Wheeler, Michael Williams and Adam Zoltowski.

Polish artists: to be announced following the initial presentation of the British artists’ works and subsequent pairing with their British counterparts, March-April 2016.

Curators: Oxana Smirnova and Fabian Strobel alongside Pawel Mendrek’s support.

Using the wide-ranging, fluctuating topics and experiences offered by the initial, Housed, UK concept as a starting point, which seeks to explore the interplay between the artist, the viewer and the location setting. 
The Connect project’s aim is to create a discourse between the artist, the space and the audience, and survey the balance between what is outwardly-facing and what we keep to ourselves via a British-Polish exchange, collaboration and display, involving two British-based and a Polish curators’ intercession.

A series of 1-2-1 artist partnerships will be established, starting with the presentation of the thirteen British artists’ work by the curators (February 2016).  Soon to be, Polish colleagues will individually propose to work with one of the British artists put forward, in turn making a similar demonstration.  During March 2016, the British-Polish curating team will digest the possible connections and match the group of 26 individuals.

April 2016 will witness the beginning of the pairings and all parties of the project being given the opportunity to question the foundational role of perception in understanding their own worlds and the worlds of others.

The experimental nature of the project is aimed to reflect the interconnection of the roles of artists and curators coming from very different backgrounds.  Removing the British-based artists’ dialogues and practices to a completely new environment, sharing their private worlds with Katowice art students, who will be asked to do exactly the same, but in their familiar environment. This experience will allow the artists to see their works through the perception of people coming from different cultures, and find out how their private/public worlds can evolve.

Following the 6-8 month linkage period of artist meetings, conversations and building of connections/work, with the guidance of the British-Polish curating company, the first phase of discoveries will come together as an introduction art exhibition (November 2016), with the second phase culminating as an public art festival (June 2017), that will be displayed throughout Katowice, with the Rondo Gallery existing as the epi-centre.  Rondo acting as a nucleus for the satellite of site-specific art installations and combined artworks throughout the city; sharing possible further connections to the wider community.

More to follow… 

Friday, 22 January 2016

Artist Talk January 2016 - REVIEW


An ICIA (University of Bath) student reviews recent, Artist talk - Alex Roberts.

For the full read please click here

Friday, 8 January 2016

Choices - Artist Talk, 13th January 2016

Choices - final weeks to view

EXHIBITION RUNS UNTIL WED 20 JAN 2016
OPEN: MON-SAT 10AM-5PM / FREE ADMISSION
GALLERY 3

Photography credits: Anna Barclay












Associated event - Artist Talk Gallery 3, 6.15pm, 
13 January 2016 
Painter Alex Roberts will discuss her practice and the works displayed at The Edge, with reference to how her current painting traces ‘the encounter’. A talk and discussion followed by Q&As about interpretation, perception and recognition via the materiality of paint.  
For further info please visit the ICIA website
Following Choices, The University of Bath will be running two competitions – NEW FOR 2016, a DRAWING COMPETITION, and a PHOTOGRAPHY COMPETITION.  
Open to all staff and students.  Alex Roberts is one of the three judges.  
Prizes: judge's prize and people's choice.  
Call for entries // deadline MON 11 JAN 2016  Further info can be viewed at icia.org.uk/student/comps/

CONTEMPORARY VISIONS 6 - Shortlist announced

Contemporary Visions VI, Beers London - Alex Roberts is shortlisted.
For further information please visit http://www.beerslondon.com/opencall/


Friday, 27 November 2015

Choices - reminder...

Reminder...

Choices is a solo exhibition by British artist Alex Roberts.

Gallery 3, The Edge, University of Bath
Fri 30 Oct 2015 until Wed 20 Jan 2016, Mon - Sat 10am - 5pm

For visitor info please click here

Photography credits: Anna Barclay
January 2016 - an accompanying talk by the artist is planned, 
more information to follow...


Disstemma 7 - documentation

For further documentation of the group show please click here

Oil, 2015 
Oil, 2015
Reds to Peacock blue and Peacock blue to reds, 2015  
Reds to Peacock blue and Peacock blue to reds, 2015  
Whistler’s Yellows, 2015
Whistler’s Yellows, 2015   

A pdf detailing Roberts's elements from the Crypt's exhibitions is available.  
To request a copy please click here